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Performing arts: brain vs. heart
Ever since the time when I began to mature in my artistic life, I have often thought about this question. Do performing artists reach…
Efficiency and “depth” in violin practice
Today I want to talk about your practice sessions. How do you practice the violin efficiently - or any instrument for that matter?
My bows: Carl Albert Nürnberger
This Nürnberger bow is the first bow which I bought with my own money, back in 2018 - and it remains to be in my collection…
My “late” baroque bow: snakewood, long sonata bow (Basil de Visser, 2025)
This was the very first bow that caught my interest when I began exploring the world of period bows. Weighing in at “just”…
My classical bow: ironwood, cramer model, ivory frog (Basil de Visser, 2025)
It features a distinctive Cramer head, named after the esteemed German violinist Johann Wilhelm Cramer (1746-1799) from…
My bows: Gregor Walbrodt, Paris
I acquired this bow in 2019 from Gregor Walbrodt in Berlin, the maker himself, just as I began my first position as concertmaster…
My “Viennese” bow: snakewood, early romantic, cramer-head, ivory frog (Basil de Visser, 2025)
Around this time last year, I began to grow increasingly curious about playing on gut strings. I had always heard how colorful and…
My modern Turkish violin: Nurgül Çomak (Istanbul, 2022)
In June 2022, I was preparing to travel to Istanbul for a performance at the Istanbul Music Festival. At the time, I was playing a beautiful…
My bows: Franz Albert Nürnberger Jr.
This is my primary bow: a fine Franz Albert Nürnberger (Jr.), made around 1900-1905. It’s an octagonal stick crafted in the style of…
My Gaetano Guadagnini violin (Turin, early 19th c.)
Since 2023, I’ve had the incredible privilege of playing a rare violin crafted by Gaetano Guadagnini (II), loaned to me by a private…
Thoughts after experimenting with gut violin strings
Wound gut strings: For the last half year, I've been using, almost exclusively, gut strings, both on my Guadagnini and modern…
Celebrating Ayla Erduran (1934-2025)
I dedicated the last of my Ysaÿe recordings to the great Turkish violin virtuoso Ayla Erduran, who passed away a week ago…
Don’t rush the process of becoming a better artist
One lesson I’ve learnt in the past couple years is that one cannot rush the process of becoming a better musician. As deeply related…